īš’ ◠ 𝓓𝐨đĨđĨ𝐞𝐭 𝓓đĸ𝐚đĢ𝐲 ⊹ īš’

Kind of girl who's gonna make you wonder
Who you are and who you've been

Tervetuloa

This is my personal page where I update and keep track of my projects, writing, and works. I'll try to update as often as motivation strikes and when I have the energy to code. I'm a software programming student, planning to specialize in frontend development. My favorite ways to code are through HTML and CSS. I'm currently relearning Python and basic JavaScript.

My favourite music genre is classical music (from baroque to 20th century contemporary), favourite book genres being nonfiction, philosophy, literary fiction, modern classics, theory, and politics. I am not much for movies these days, but one of my favourites at the moment would be Sofia Coppola's Priscilla ( my letterboxd account). My favourite composers at the moment are Anton Webern, Carl Friedrich Abel, Pierre Dandrieu and Jean-Francois Dandrieu, Johann Pachelbel, Alban Berg, Jacob Obrecht, and Johann Jakob Froberger. Favourite albums are Pachelbel - Organ Works, Anton Webern: Complete Works: Op. 1-Op. 31, and Anton Webern: Piano Music, 1904-1936.

Anton Webern

Photograph of Anton Webern

Anton Webern was an Austrian composer, conductor, and musicologist. His music was among the most radical of its milieu in its concision and use of then novel atonal and twelve-tone techniques in an increasingly rigorous manner, somewhat after the Franco-Flemish School of his studies under Guido Adler. With his mentor Arnold Schoenberg and his colleague Alban Berg, Webern was at the core of those within the broader circle of the Second Viennese School. Their atonal music brought them fame and stirred debate. Webern was arguably the first and certainly the last of the three to write music in an aphoristic, expressionist style, reflecting his instincts and the idiosyncrasy of his compositional process. His exploration of serialism and pointillism paved the way for avant-garde movements, which is why I am dedicating a spot for him here.


My writings

Not spectacular, but rather to reserve them than to lose forever.

Poems